Creative reflections on an artist's life, place, and the joy in between
6/10/2008 9:24:49 AM
| By Jared Steinberg
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I just finished a very interesting book by Ross King called, "Michelangelo And The Pope's Ceiling". I was drawn to read the book, originally, to learn more about Michelangelo, but the work offers so much more. The author examines the motives and points of view from both Michelangelo and Pope Julius II and their artist/patron relationship to revise the interior of The Sistine Chapel. Though the writing revolves around these two main characters, King also delves into personal, political, historical and artistic insights as well. The book additionally explores several of myths surrounding the painting of the chapel's ceiling.
I found it interesting though Michelangelo emphatically prefered sculpture to any other medium (i.e. painting and architecture), the frescoes he painted in the Sistine Chapel impressed and inspired his contemporaries while remaining some of his most famous works to this day. In fact, not only did several years elapse since the artist completed his last painting, but he had never actually worked on a fresco before. The book explains what a technical challenge this was, as Michelangelo literally learned this skill as he painted the Sistine Chapel's ceiling.
All in all, the book proved to be a wealth of information, terminology and inspiration to me. The writing really warmed up as the book progressed. If my academic readings had been this interesting, back in the day, I just might have retained more history. All in all, I give it 6 out of 7 brushes. I hold out on the last brush, because I would have liked to read a follow up on the fresco of the altar wall (of The Last Judgement); the book only covers the work Michelangelo did on the ceiling, as that was the work specifically commissioned by Julius. No doubt, I will be making more references to the book in forthcoming blogs. In the meantime, I definitely recommend reading this.
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6/4/2008 9:23:28 AM
| By Jared Steinberg
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I was sitting in between three walls of my paintings at The Artist Project show with JQ. We had arranged the show so that each wall featured a different series out of three: "'Scapes", "Interludes", and "Narratives".
A year ago, we were in Vail with a similar setup for an art festival there. I remember a woman walking into the booth and commenting on how it seemed that each series was painted by a different artist.
This has been a dilemma for me- as an artist who is ultimately seeking to be represented by a gallery, my work not only has to be of a certain quality to enter the market place, but galleries also favor consistency. With my focus divided by three different pursuits, how do I resolve this challenge? From my point of view, I am interested in the subject matter of each series, I enjoy the diversity, and learn lessons from one that I can apply to the others. Though each series differs in terms of content, the application of the paint is the same; in the style I have named for my work as Contemporary Expressionism.
As JQ and I sat in the booth, a woman walked in and looked around at each wall. Her initial reaction was, "These works seem to have been done by different artists." After spending a little more time observing, however, she retracted her statement and admitted the styles were more in accord than she had originally perceived. Was this a confirmation that I had made progress in the last year? I can't say for sure, but I do believe in spite of the different themes I've chosen to explore, I am gaining consistency in bridging them so that when you look at one of my paintings, you will recognize it as a "Jared Steinberg" painting.
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